Festival In/Out
Live performance online, 2020
Water, hydrophone, synth
«Conexão Roseti – Audio Rebel – Latino Power» is the joining of forces of three music venues that work with advanced, experimental, and improvisational music, from three countries in South America, through three live online improv sessions, gathering artists from the 3 countries. In the educational part of the project, the venue’s founding partners will have a conversation about the emergence of the respective cultural spaces, and the current challenges in their management in times of pandemic. Respectively from Buenos Aires, Rio de Janeiro and Bogota, Roseti, Audio Rebel and Latino Power, are recognized for their intense schedules and exquisite attractions, sharing a long history of supporting local and international artists. Innovating, betting on the avant-garde, and giving space to authentic contemporary artists and authors, who reinvent their traditions and languages, is a brand that unites these venues, in addition to being attentive to the diversity of gender, identity, and cultures.
TRIOS:
Ana Maria Ruiz (CO), Jose M. Hernandez (AR) and Luisa Lemgruber (BR)
Carlos Quebrada (AR), Kike Mendoza (CO) and Thomas Harres (BR)
Ana Maria Romano (CO), Carola Zelaschi (AR) and Marcos Campello (BR)
Video link

Festival Tsonami
Valparaíso, Chile, 2019
Rocks, water, garbage, hydrophone, pedals
"Nuevos Ecosistemas" consiste na criação de um ecossistema conectado diretamente aos hábitos atuais de exploração. Cria-se um terrário com diversas camadas de pedra, terra e lixo recolhidas nas ruas de Valparaíso, no qual é alimentado por uma água desviada de um sistema de fluxo aquático equilibrado.
Neste desvio intencional, há um risco eminente de desequilibrar ou até destruir este sistema, uma vez que é necessário que tenha um volume específico de água para que se mantenha funcionando.
"Nuevos Ecosistemas" consists of the creation of an ecosystem directly connected to current exploration habits.
In Nuevos Ecosistemas a terrarium is created with several layers of stone, earth and garbage took from the streets of Valparaíso, and in which it is fed by water diverted from a balanced aquatic flow system. In this intentional diversion, there is a risk of unbalancing or even destroying this system, since it is necessary to have a specific volume of water to keep it functioning.
Video link


Festival Tsonami
Valparaíso, Chile, 2019
Ice, coal, hydrophone, pedals and synths
Nesta performance se experimenta ao vivo uma serie de elementos postos em cena vinculados aos aterramentos e silenciamentos sociais, assim como a problemática mundial das mudanças climáticas.
In this performance a series of elements on the scene are experienced live, linked to landings and social silences, as well as the global problem of climate change.


Festival Tsonami
Valparaíso, Chile, 2019
Ice, hydrophone, records
Avalancha Vol.1
Avalancha é uma ação nas ruas com objetivo de traçar os rios presentes em Valparaíso ocultados e afogados pelo intenso processo de urbanização da cidade.
A ação se iniciou à jusante de uma das colinas (Av. Alemania) finalizando ao chegarmos no mar.
Hidrofones foram instalados dentro dos blocos de gelo de modo a capturar os sons do processo de descongelamento e da geografia local.
Os gelos foram criados a partir das aguas de Valparaíso.
Avalancha was an action in the streets with the objective of tracing the rivers present in Valparaíso hidden and drowned by the intense urbanization process of the city.
The action started downstream of one of the hills (Av. Alemania) and ended when we reached the sea.
We installed hydrophones inside the ice blocks in order to capture the sounds of the thawing process and the local geography.
The ices were created from the waters of Valparaíso.



Festival Klang Moor Schopfe
Gais, Switzerland, 2019
Voice, contact microphone, synths
Em setembro de 2019 Julie Semoroz (Suíça) e Luisa Lemgruber (Brasil) iniciaram uma pesquisa sobre a falta de comunicação, o ecofeminismo e antropoceno.
Este estudo resultou em uma performance sonora realizada no Klang Moor Schopf Festival (Gais, Suiça) composta por vozes, piezo, hidrofone, microfones e pedais eletrônicos.
A performance consiste em um diálogo em francês e português entre as artistas sobre os temas. Porém, o dialogo se dá a partir das sonoridades das palavras, uma vez que nao há compreensão dos idiomas de cada uma.
In September of 2019 at Klang Moor Schopf Festival (Gais, CH), Julie Semoroz (Switzerland) and Luisa Lemgruber (Brazil) started together a research about miscommunication, ecofeminism and anthropocene.
This study resulted in a sound performance at Klang Moor Festival explored by voices, piezo, hydrophone, microphones and electronic pedals.
The performance consists of a dialogue in French and Portuguese between the artists on these themes. The dialogue takes place based on the sounds of the words, since there is no understanding of the languages of each one.

Festival Klang Moor Schopfe
Gais, Switzerland, 2019
Ice, hydrophone, synths
Em El Origen de una Fragilidad, criou-se uma performance com base na fragilidade dos recursos hídricos devido às mudanças climáticas.
Utilizou-se disco de vinil feito de gelo, bloco de gelo, hidrofone e manipulação eletrônica.
El Origen de una Fragilidad was the sound performance about the water sources fragility in the world due to the climate changes.
It was played with ice disks, ice block, hydrophone and electronic manipulation.

Festival Klang Moor Schopfe
Gais, Switzerland, 2019
Water, voice, hydrophone, synths
"Se morre, nao renasce" é uma releitura da combinação entre o poema "Se" de Haroldo de Campos e o video "Mediations" de Gary Hill. A ideia foi representar a extinção dos recursos hídricos no Brasil devido a exploração pelas grandes industrias e expansão urbana.
The performance is a rereading of Haroldo de Campos's poem "If" and Gary Hill's experimental video "Mediations."
The idea was to represent the extinction of water resources in Brazil due to exploitation by large industries and urban expansion.

Festival Águas Vivas
Rio de Janeiro, Brazil, 2019
Voice, hydrophone, water and synths

Festival Voodoohop
Minas Gerais, Brazil, 2019
Voice, body, hydrophone, water and electronic manipulation



Festival Novas Frequencias
Rio de Janeiro, Brazil, 2017
A performance constrói um ambiente sonoro composto por elementos mecânicos, orgânicos e sintéticos. O trio utiliza drone, noise, máquinas e gravações de campo.
The performance builds a sound environment composed of mechanical, organic and synthetic elements. The trio uses drone, noise, machines and field recordings.
link video


